Black Lips

Ltd Version, Crimson LP, Die Lower Coronary heart

Document/Vinyl + Digital Album

DELUXE version, RED VINYL,
DIE CUT HEART SPOT GLOSS
SLEEVE. POSTER. Obtain.

Consists of limitless streaming of Sing In A World That is Falling Aside
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£22

 

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Customary Version Black LP

Document/Vinyl + Digital Album

Consists of limitless streaming of Sing In A World That is Falling Aside
by way of the free Bandcamp app, plus high-quality obtain in MP3, FLAC and extra.

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£18

 

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CD

Compact Disc (CD) + Digital Album

CD Pockets

Consists of limitless streaming of Sing In A World That is Falling Aside
by way of the free Bandcamp app, plus high-quality obtain in MP3, FLAC and extra.

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£12

 

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Digital Album

Streaming + Obtain

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£7

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Atlanta underground rock provocateurs Black Lips have introduced that their new LP The Black Lips Sing In A World That’s Falling Aside is about for launch January 24th on Hearth Information/Vice. Boasting an unapologetic southern-fried twang, the twelve-track assortment marks the quintet’s most pronounced dalliance with nation music but, with a clang and concord that’s unmistakably the inimitable sound and really feel of the Black Lips. Whereas the songcraft and enjoying is extra subtle, Black Lips have been decided to return to the uncooked sound roots that marked their early efforts. Recorded and co-produced with Nic Jodoin at Laurel Canyon’s legendary, newly reopened Valentine Recording Studios (which performed host to Seashore Boys and Bing Crosby earlier than shuttering in 1979) with out Professional-Instruments and different up to date know-how, the band banged the album out on to tape shortly and cheaply, ensuing of their grimiest, most harmful, and greatest assortment of songs for the reason that aughts.

Like The Byrds, who flirted with pastoral aesthetics earlier than going all-out with the unconventional departure that was Sweetheart of The Rodeo, the Black Lips have been skirting the sides of nation since “Candy Kin” and “Make It” from their eponymous debut. However eschewing Graham Parson’s earnestness, Black Lips are cautious to not trace at authenticity, properly treading into their unfeigned rustic romance with the winking self-awareness of Bob Dylan’s “You Ain’t Goin Nowhere,” Rolling Stones “Expensive Physician,” or The Velvet Underground’s “Lonesome Cowboy Invoice.”

The band’s stylistic evolution and matured strategy to musicianship and writing is, partly, as a result of seismic lineup shifts they’ve undergone during the last half-decade. Worn down after a decade of prolific touring and recording, longtime guitarist Ian St Pé left the group in 2014, adopted shortly thereafter by authentic drummer Joe Bradley. Jeweler/actress (and now Gucci muse) Zumi Rosow, whose sax skronk, flamboyant fashion, and wild stage presence had augmented the staff earlier than the duo’s departure, assumed a much bigger writing and efficiency function of their absence. Quickly drummer Oakley Munson from The Witnesses introduced a brand new backbeat and distinctive backing vocal concord into the fold. Final 12 months the quintet was rounded out by guitarist Jeff Clarke of Demon’s Claws. The newly solid partnership, all of whom collaborate as songwriters, vocalists, and instrumentalists, has breathed new life into their sound. The result’s akin to the radiance of the impulsive, wild nights the place you end up two-stepping into the unknown.